myampgoesto11:

Seung-Hwan Oh | On Tumblr

Seung-Hwan Oh works and lives in Seoul, where he was born and raised until moving to New York where he studied film and photography at CUNY Hunter College. His work and practice stem from his interest and approach toward other disciplinary thoughts and ideas, from philosophy to sciences. His most recent work, exhibited at Zaha Museum, was inspired by the notion of the first advent of vision in life on earth, and his current work focuses on implementing microbial growth on film as a means to explore the impermanence of matter as well as the material limitations of photography.

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pursuable:

Andy DenzlerFrom Under My Skin Series, 2014
chuckhistory:

Bill Murray and Dan Aykroyd.

chuckhistory:

Bill Murray and Dan Aykroyd.

kumasenpai:

How dare you little motherfuckers be so cute

kumasenpai:

How dare you little motherfuckers be so cute

(Source: isssabeau, via nodamncatnodamncradle)

Love this!

(Source: Spotify)

Sunset

Sunset

Tags: montreal

endr0ne:

Bjork, Spaghetti Nero, Venice 2007 by Juergen Teller

endr0ne:

Bjork, Spaghetti Nero, Venice 2007 by Juergen Teller

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drrestless:

Bestiary (125): De Monstris (Fortunio Liceti, 1665)

(Source: magictransistor)

gowns:

Jeff Wall - “After “Invisible Man” by Ralph Ellison, the Prologue”

Jeff Wall based this elaborately staged photograph on Ralph Ellison’s prologue for his 1952 novel Invisible Man. The unnamed narrator, an African American man, lives secretly “in my hole in the basement [where] there are exactly 1,369 lights,” powered by stolen electricity. Some visual details are drawn from other parts of Ellison’s book or come from the artist’s imagination. In this way, Wall refers to his inspiration for this photograph as an “accident of reading.”
Wall refers to his method of photography as “cinematography,” and like a cinematic production his work is dependent on collaboration with a cast and assistants who help develop a painstakingly constructed set. He used a large-format camera with a telephoto lens to achieve such a high resolution and finely detailed print. This photograph, like most of Wall’s work, has been printed on a transparency and mounted in a steel-framed light box. The large-scale image is illuminated from behind by fluorescent lights, which Wall began using after seeing light-box advertisements in the late 1970s.

gowns:

Jeff Wall - “After “Invisible Man” by Ralph Ellison, the Prologue”

Jeff Wall based this elaborately staged photograph on Ralph Ellison’s prologue for his 1952 novel Invisible Man. The unnamed narrator, an African American man, lives secretly “in my hole in the basement [where] there are exactly 1,369 lights,” powered by stolen electricity. Some visual details are drawn from other parts of Ellison’s book or come from the artist’s imagination. In this way, Wall refers to his inspiration for this photograph as an “accident of reading.”

Wall refers to his method of photography as “cinematography,” and like a cinematic production his work is dependent on collaboration with a cast and assistants who help develop a painstakingly constructed set. He used a large-format camera with a telephoto lens to achieve such a high resolution and finely detailed print. This photograph, like most of Wall’s work, has been printed on a transparency and mounted in a steel-framed light box. The large-scale image is illuminated from behind by fluorescent lights, which Wall began using after seeing light-box advertisements in the late 1970s.

(via nodamncatnodamncradle)